An intimate look inside Girls Night Out Comedy Hypnosis—a bold, women-first live show built on laughter, trust and playful release.
The room changes before the lights do. Groups of women lean closer together, glasses clink, heels are kicked off under tables. There is a hum that feels different from a standard comedy night—anticipatory, conspiratorial. When the show begins, it does not rush to the punchline. It invites the room to soften first. Girls Night Out Comedy Hypnosis works because it understands something fundamental: the best laughter comes when people feel free.
This is not a night about watching from a distance. It is about leaning in, letting go, and discovering just how funny imagination can be when given permission.

An Idea Born From Curiosity And Courage
The concept for Girls Night Out Comedy Hypnosis did not emerge from market research or trend forecasting. It began with a conversation.
“It came from a chat with my agent Nancy,” says creator and performer Wayne Donnelly. Together, they tested the idea with a small group of her friends. “We wanted something completely different, bold, and fun for women—and we realised this ticked all the boxes.”
What followed was a quiet realisation that they were onto something rare. “There is nothing like it in Australia,” Donnelly says. “And from everything I’ve researched, nothing quite like it anywhere in the world.”
The show was designed not as a novelty, but as a space—one where women could laugh loudly, flirt playfully, and suspend everyday roles without judgment.
Shaping Comfort Into Comedy
From the outset, tone mattered as much as content. Donnelly worked closely with the women who helped test the concept, refining the show based on their reactions rather than assumptions.
“I wanted to make sure it was fun and comfortable for everyone,” he says. “Over time, the show has been shaped by real audience feedback. Each performance improves as it evolves around what women genuinely enjoy.”
That responsiveness is felt in the room. Nothing feels imposed. The humour unfolds at a pace that allows trust to build, ensuring that when volunteers step forward, they do so willingly—and often eagerly.
Girls Night Out Comedy Hypnosis And The Power Of Participation
Audience participation is not a feature of the show; it is the show. Without volunteers, nothing happens.
“It’s absolutely essential,” Donnelly says. “The magic happens through participation.”
Women volunteer not to be laughed at, but to laugh with the room. The humour emerges from suggestion and imagination, not embarrassment. Watching a friend become convinced of an alternate reality—while remaining completely safe—creates a ripple effect that spreads across the audience.
The Moments Everyone Talks About
Some moments become legendary. One routine regularly produces audible gasps before dissolving into laughter.
“A woman believes she has won the man lottery,” Donnelly explains, “only to discover an invisible force field that stops her from touching the dancer. The harder she tries, the funnier it gets.”
The laughter comes not from spectacle alone, but from recognition—the exaggerated pursuit, the playful frustration, the shared understanding of desire and restraint.

Feedback That Lingers Long After The Lights Come Up
The clearest measure of success arrives during intermission and after the show. Donnelly watches the room carefully.
“Women are buzzing,” he says. “They’re laughing, sharing stories. So many tell me it’s the most fun they’ve had in years—sometimes the best night out they’ve ever had.”
It is the kind of feedback that speaks less to performance than to experience. The show gives women permission to be loud, silly, flirtatious, and unguarded—all within a clearly defined, respectful framework.
Walking The Line Between Cheeky And Comfortable
Girls Night Out Comedy Hypnosis is unapologetically over 18, and expectations are set clearly before anyone enters the room. That transparency matters.
“People know what they’re coming to,” Donnelly says. “And if I ever want a sense check, I run ideas past the blue-rinse crowd. They’re usually the most enthusiastic of all.”
The result is a show that feels risqué without being crude, playful without crossing into discomfort. The laughter lands because boundaries are understood, not tested.
Behind The Scenes Of A Carefully Held Night
Preparation extends beyond routines. Donnelly speaks about mindset first.
“A big part is my confidence in delivering what women actually want from the experience,” he says. From there, details matter—props that enhance rather than distract, stage and table decorations that help draw people in, small visual cues that signal this is not an ordinary comedy night.
Atmosphere is not accidental. It is built deliberately, so the room feels cohesive and immersive before the first volunteer even reaches the stage.

For First-Timers, A Gentle Warning
For those who have never seen live hypnosis, Donnelly offers simple advice: arrive open.
“Be prepared for anything. You might volunteer. Your friend might. Come along to relax, enjoy yourself, and have a great night out.”
It is that openness that allows the show to work its quiet magic.
Leaving With Stories, Not Secrets
Some stories, Donnelly insists, stay in the room. Others become legend—shoe phones held to imaginary ears, flirtatious conversations with George Clooney or Kevin Costner, volunteers convinced they are utterly irresistible.
“What happens in the room stays in the room.” And yet, the laughter follows people out the door, lingering in late-night texts and retellings the next morning.
Girls Night Out Comedy Hypnosis is not about hypnosis alone. It is about creating a space where women feel free to play, to laugh, and to step briefly outside themselves. The result is not just comedy, but connection—and a night that feels earned.